Audio Technology

There is some very compelling scientific corroboration in this link concerning audio sample and bit rates. I especially appreciate the distinction the article makes about why 24-bit audio is helpful during recording, mixing, and mastering but not so important in … Continue reading →

Based on the tests covered in this online tool, there is SIGNIFICANT variation in the quality of sample rate converters on the market. It’s important to look at each graph for each product to fully appreciate the comparison and disparity … Continue reading →

This just in: FXpansion has teamed up with AAS to offer 50% off of Chromaphone until April 15th using the coupon FXP2012. So you’ve got your kick, snare, toms, hi-hat and cymbals, right? What’s missing then? How about percussion that … Continue reading →

I’m a big fan of U-he, so I am willing to bet on faith that anything they create is awesome. And I’ve never been disappointed. What amazes me is that they have created a brilliant sounding synth and given it … Continue reading →

I’m basing this opinion of Voxengo’s SPAN on years of personal experience in mixing and mastering. This analyzer is superior to all others I’ve used, many of them setting me back some hard earned cash. The waveform peak information in … Continue reading →

Download the Audio Unit

I just came across a very interesting article in EM magazine, which demonstrates how to split a track into independent parallel tracks, each assigned to a frequency band of choice. The only thing I disagree with is the routing. Rather … Continue reading →

SonEQ is a digital equalizer that takes parts from some vintage gear and combine them in one. SonEQ has 3 bands, bass, middle and treble. Also, SonEQ has a pre-amp section. Get it! Mac (AU, VST) PC (VST)

Yaaaaay, life is peachy once again.